Bardo is an abstract concept. There are no actual images of the bardo. Deity figures and mandala-like shapes are used to convey the ideas of the state between death and rebirth.
The 'Terton' Karma Lingpa (1326–1386), in the 14th century, is credited with the discovery of the 'treasure text' known as the Liberation Through Hearing in the Bardo (Tibetan Book of the Dead).
The assembly mandala of Bardo deities depicts a perfected state of beings and the central deities within, symbolizes the perfected states of the meditators' own awareness, psycho-physical aggregates, elemental properties and sensory and mental process.
The peaceful deities symbolize the natural purity of these fundamental components of beings while the wrathful deities are the transformative aspects of the energies. The outer deities of these mandalas are the mode of activities of an enlightened being.
The fifty-eight wrathful deities are:
The Assembly of 58 Wrathful Bardo Deities :In this mandala of deities are the wrathful emanations of Samantabhadra, the five Buddhas and his consorts, gatekeepers, offering goddess and many more.
The five wrathful Herukas and their five consorts—the wrathful aspect of the Buddhas of the five families and of the five female Buddhas are:
2. Vajraheruka and his consort Vajrarodhishvari
3. Ratnaheruka and his consort Ratnarodhishvari
4. Padmaheruka and his consort Padmakrodhishvari
5. Karmaheruka and his consort Karmakrodhishvari
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Aspiration For Bodhichitta
For those in whom the precious Bodhichitta has not arisen
May it arise and not decrease
But increase further and further.
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Having defeated the enemies wrong-doings.
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