Showing posts sorted by relevance for query Dhyani Buddhas. Sort by date Show all posts
Showing posts sorted by relevance for query Dhyani Buddhas. Sort by date Show all posts

Wednesday, August 6, 2014

The Five Dhyani Buddhas 金刚界五智如来 - 寳生如來 Part 1

The five Dhyani Buddhas family, each of every Buddha it uniquely different from each others and appearing with different mudras. The five dhyani buddhas are representations of the five qualities of the Buddhas.These five Buddhas are a common subject of Vajrayana Mandalas.
When these Buddhas are represented in mandalas, they are not always the same colors or be related to the same directions. The five Dhyani Buddhas can be described as follows :-
  1. Ratnasambhava Buddha. 寳生如來
  2. Akshobhya Buddha. 阿閦如來
  3. Vairocana Buddha. 毘盧遮那佛 / 大日如來
  4. Amithabha Buddha. 阿彌陀佛
  5. Amoghasiddhi Buddha. 成就如來

Ratnasambhava Buddha he is represents the Ratna family. He is the Buddha of the South direction. 
His syllable is "Tram" 
His color is in gold and yellow signifies the South. 
His element is signifies or represents earth.
His symbolism is signifies the jewels.
His wisdom is signifies as equanimous.
His right hand mudra is signifies as giving.
He is  symbolize the season of Spring.
His consort is Mamaki.
His Dhyani Bodhisattva is Ratnapani. 
His Pure Land is called Shrimat. the Southern Pure Land.
Akshobhya Buddha.阿閦如來 to be continued in part 2
Dedication of merits
May those who read and sharing of this blog's information be peaceful and joyful. May the Buddha Dharma be flourished and the merits will be dedicated to the sentient beings


Saturday, October 25, 2014

The Five Dhyani Buddhas - Amoghasiddhi (成就如來) Part 5

The five Dhyani Buddhas family

Each of every Buddha it uniquely different from each others and appearing with different mudras. The five dhyani buddhas are representations of the five qualities of the Buddhas.These five Buddhas are a common subject of Vajrayana Mandalas.

When these Buddhas are represented in mandalas, they are not always the same colors or be related to the same directions. The five Dhyani Buddhas can be described as follows :-

1. Ratnasambhava Buddha. 寳生如來
2. Akshobhya Buddha. 阿閦如來
3. Vairocana Buddha. 毘盧遮那佛 / 大日如來
4. Amithabha Buddha. 阿彌陀佛
5. Amoghasiddhi Buddha. 成就如來


Amoghasiddhi Buddha he is represents the Karma family. He is the Buddha of the North direction. 
His syllable is "Ah" 
His color is in green.
His element is signifies or represents air and wind 
His symbolism is the double Vajra.
His wisdom is signifies as all accomplishing and the wisdom of perfect practice.
His hands mudras are signify as fearlessness.
He is symbolizes or associated with autumn season.
His consort is Green Tara.
His Dhyani Bodhisattva is Visvapani.
His Pure Land is called Prakuta, the Northern Pure Land.

Dedication of merits
May those who read and sharing of this blog's information be peaceful and joyful. May the Buddha Dharma be flourished and the merits will be dedicated to the sentient beings 


The Five Dhyani Buddhas - Akshobhya (阿閦如來) Part 2

The five Dhyani Buddhas family 


Each of every Buddha it uniquely different from each others and appearing with different mudras. The five dhyani buddhas are representations of the five qualities of the Buddhas.These five Buddhas are a common subject of Vajrayana Mandalas.

When these Buddhas are represented in mandalas, they are not always the same colors or be related to the same directions. The five Dhyani Buddhas can be described as follows :-

1. Ratnasambhava Buddha. 寳生如來
2. Akshobhya Buddha. 阿閦如來
3. Vairocana Buddha. 毘盧遮那佛 / 大日如來
4. Amithabha Buddha. 阿彌陀佛
5. Amoghasiddhi Buddha. 成就如來



Akshobhya  Buddha he is represents the Vajra  family. He is the Buddha of the East direction. 
His syllable is "Hum" 
His color is in blue and signifies the East. 
His element is signifies or represents water.
His symbolism is signifies the Vajra , Vajra means Diamond.
His wisdom is signifies as consciousness.
His hand mudra is signifies as humility
He is symbolize the season of Winter
His consort is Locana
His Dhyani Bodhisattva is Vajrapani
His Pure Land is called Abhirati, the Eastern Pure Land

Vairocana Buddha Buddha. 毘盧遮那佛 / 大日如來to be continued in part  3


Dedication of merits

May those who read and sharing of this blog's information be peaceful and joyful. May the Buddha Dharma be flourished and the merits will be dedicated to the sentient beings

The Five Dhyani Buddhas -Vairocana (大日如來) Part 3

The five Dhyani Buddhas family

Each of every Buddha it uniquely different from each others and appearing with different mudras. The five dhyani buddhas are representations of the five qualities of the Buddhas.These five Buddhas are a common subject of Vajrayana Mandalas.

When these Buddhas are represented in mandalas, they are not always the same colors or be related to the same directions. The five Dhyani Buddhas can be described as follows :-

1. Ratnasambhava Buddha. 寳生如來
2. Akshobhya Buddha. 阿閦如來
3. Vairocana Buddha. 毘盧遮那佛 / 大日如來
4. Amithabha Buddha. 阿彌陀佛
5. Amoghasiddhi Buddha. 成就如來



Vairocana  Buddha he is represents the Buddha family. He is the Buddha of the Center direction. 
His syllable is "Om" 
His color is in white
His element is signifies or represents Space or Sky 
His symbolism is the wheel .
His wisdom is signifies as all accommodating. 
His hand mudras are signify as teaching the Dharma the essence of the Dharma realm meditation.
He is not symbolize or associated with any season.
His consort is White Tara or Sharmadhatvishvari.
His Dhyani Bodhisattva is Samantabhaadra.
His Pure Land is called Akanistha Ghanavyuha, the Center Pure Land.

Amithabha Buddha.阿彌陀佛to be continued in part  4

Dedication of merits
May those who read and sharing of this blog's information be peaceful and joyful. May the Buddha Dharma be flourished and the merits will be dedicated to the sentient beings


The Five Dhyani Buddhas - Amithabha (阿彌陀佛) Part 4

The five Dhyani Buddhas family

Each of every Buddha it uniquely different from each others and appearing with different mudras. The five dhyani buddhas are representations of the five qualities of the Buddhas.These five Buddhas are a common subject of Vajrayana Mandalas.

When these Buddhas are represented in mandalas, they are not always the same colors or be related to the same directions. The five Dhyani Buddhas can be described as follows :-

1. Ratnasambhava Buddha. 寳生如來
2. Akshobhya Buddha. 阿閦如來
3. Vairocana Buddha. 毘盧遮那佛 / 大日如來
4. Amithabha Buddha. 阿彌陀佛
5. Amoghasiddhi Buddha. 成就如來


Amithabha  Buddha he is represents the Padma family. He is the Buddha of the West direction. 
His syllable is "Hrih" 
His color is in red.
His element is signifies or represents fire 
His symbolism is the Lotus.
His wisdom is signifies as Inquisitive and the wisdom of observation.
His hands mudras are signify as Meditation.
He is symbolizes or associated with summer season.
His consort is Pandara.
His Dhyani Bodhisattva is Avalokiteshvara.
His Pure Land is called Sukhavati, the Western Pure Land.

Amoghasiddhi Buddha. 成就如來to be continued in part  5

Dedication of merits
May those who read and sharing of this blog's information be peaceful and joyful. May the Buddha Dharma be flourished and the merits will be dedicated to the sentient beings



Thursday, November 17, 2016

The Sacred Universe of The Buddhas - Mandala

Mandalas in Tibet, within the tradition of Tantric Buddhism, are sacred geometric figures that represent the Universe according to the Vajrayana Buddhism. Mandalas have complex geometrical shapes and it has become a generic term for any diagram, chart or geometric pattern that represents the cosmos metaphysically. 

The Mandala is also a part of Hindu Tantrism and in other traditions like North American Indians, but this article will only focus on the Buddhist Mandala. 

Mandala comes from Sanskrit meaning "circle." Even though it may be dominated by squares or triangles, a Mandala has a concentric structure. Mandalas are far more than geometrical figures, however. For Tantric Buddhists, they are rich with symbolism and sacred meaning. In fact, the etymology of the word "Mandala" suggests not just a circle, but a "container of essence."

A Mandala becomes a sacred area that serves for deities and a collection point of universal forces. By mentally entering a Mandala and proceeding to its center, a person is symbolically guided through the cosmos to the essence of reality.

In Tibetan Buddhism, contemplation of sacred images is central to religious ritual, and a Mandala is one of the most important of these sacred images. A Tibetan Mandala is usually made with careful placement of colored sand, and accordingly is known in Tibetan as "dul-tson-kyil-khor", or Mandala of the colored powders. 


The symbolism of the Mandala  in the tradition of Vajrayana Buddhism, Mandalas are rich with symbolism that evokes various aspects of Buddhist teaching. This is part of what makes the creation of a Mandala a sacred act, for as they work, the monks are imparting the Buddha's teachings. In the Tibetan Buddhism, Mandalas have been developed into a sand painting. They are also a key part of * Anuttarayoga Tantra meditation practice. 
* Anuttarayoga Tantra or Highest Yoga Tantra is a term used in Tibetan Buddhism.  In accordance with the three lineages of Kagyu, Sakya and Gelug of Tibetan Buddhism, Anuttarayoga Tantra is the highest of four classes and is associated with the route to enlightenment.  

Nyingma tradition and the teachings of Dzongchen or the Great perfection is the Highest Tantra. Nyingma lineage is the oldest of the four major schools of Tibetan Buddhism, and founded by the great Indian master of Guru Rinpoche, Padmasambhava who came to Tibet in the eighth century C.E.

Footnote
The practice of Anuttarayoga Tantra in the Vajrayana tradition of Buddhism is characterized by the requirement of empowerment from a qualified Guru, Lama, use of ritual techniques, and the practice of various meditative and subtle body yogas, to effect personal transformation and to attain enlightenment through the realization of the mind stream as a Meditational Deity, or a Yidam. Mandalas have complex geometrical shapes and are often used for meditation. 
For more teachings of the Tantra, please visit and click here
Construction of the sacred Mandala
The basic form of most Mandala is a square with four gates containing a circle with a center point. Each gate is in the general shape of a "T".  The process of constructing a Mandala is a sacred ritual. It is a meditative, painstaking process that can take days or even weeks to complete. Before a monk may participate in the construction of a Mandala, he must undergo a lengthy period of artistic and philosophical study. 


Commonly , there are four monks are working together to construct a Mandala. The mandala is divided into quadrants with one monk assigned to each. Midway through the process, each monk receives an assistant who helps fill in the colors while the primary monk continues to work on detailed outlines.


Mandalas are constructed from the center outward, beginning with a dot in the center. With the placement of the center dot, the mandala is consecrated to a particular Buddha or Deity. This Buddha or Deity will usually be depicted in an image over the center dot, although some Mandalas are purely geometric.
The symbolizes of the sacred Mandala
Lines are then drawn through the center dot to the four corners, creating triangular geometric patterns. These lines are then used to construct a square "palace" with four gates. The monks usually keep to their own quadrant at this point.
From the inner square, the monks move outward in a series of concentric circles. Here the monks work in tandem, moving all around the mandala. They wait until each section is entirely completed before moving outward together. This ensures that balance is always maintained.
Outside the square temple is several concentric circles. The outermost circle is usually decorated with stylized scroll work resembling a ring of fire. This ring of fire symbolizes the process of transformation humans must undergo before being able to enter the sacred territory within. It both bars the uninitiated and symbolizes the burning of ignorance.
The next circle inward is a ring of thunderbolt or diamond scepters, which stands for indestructibility and illumination. This is followed by a circle of eight graveyards, representing the eight aspects of human consciousness that bind a person to the cycle of rebirth. Finally, the innermost ring is made of lotus leaves, signifying religious rebirth.
The Five Dhyani Buddhas Mandala
The square structure in the middle of a mandala is a palace for the resident deities and a temple containing the essence of the Buddha. The square temple's four elaborate gates symbolize a variety of ideas, including:
- The four boundless thoughts: loving-kindness, compassion, sympathy and equanimity
- The four directions: south, north, east and west

Within the square palace or temple are images of deities, which are usually the * Five Dhyani Buddhas (the Great Buddhas of Wisdom). The iconography of these Buddhas are rich in symbolism in itself. Each of the Five Dyani Buddhas represents a direction (center, south, north, east and west), cosmic element (like form and consciousness), earthly element (ether, air, water, earth and fire), and a particular type of wisdom. 

Each Buddha is empowered to overcome a particular evil, such as ignorance, envy or hatred. The Five Dyani Buddhas are generally identical in appearance, but are each represented iconography with a particular color, mudra (hand gesture), and animal. See the article on the Five Dyani Buddhas for more information.


In the center of the mandala is an image of the chief Buddha or Deity, who is placed over the center dot described above. Because it has no dimensions, the center dot represents the seed or the center of the universe. 
*For more detailed of the Five Dhyani Buddhas, please visit our article as follows:-
http://max-tibetanbuddhism.blogspot.my/search?q=Dhyani+Buddhas+
The Destruction of The San Mandala
Although some Mandalas are painted and serve as an enduring object of contemplation, the traditional Tibetan sand Mandala, when completed, is deliberately destroyed. The destruction of a sand mandala is also highly ceremonial. Even the Deity syllables are removed in a specific order along with the rest of the geometry until at last the mandala has been dismantled. 
The sand is collected in a jar which is then wrapped in silk and transported to a river (or any place with moving water), where it is released back into nature. This symbolizes the ephemerality of life and the world.
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Thank you for reading, may you find peace and great bliss. With your support it helps to spread the Buddha’s precious teachings and turning the Dharma wheels in the world.

Aspiration For Bodhichitta
For those in whom the precious Bodhichitta has not arisen
May it arise and not decrease
But increase further and further.

Dedication of Merit
By this merit may we obtain omniscience then.
Having defeated the enemies wrong-doings.
May we liberate migrators from the ocean of existence.
With its stormy waves of birth, old age, sickness and death.

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I do not own or infringe any copyright of the picture(s).
Picture(s) courtesy and credit to the rightful distributors and or studios.
Picture(s) is/are intended for editorial use only.


Sunday, December 15, 2024

The Luminous One - Buddha Vairocana


Vairocana
Also known as the Luminous One, Vairocana is a major Buddha in Mahayana and Vajrayana Buddhism. 

Vairocana is often seen as the Dharmakaya, or supreme Buddha-body, of the historical Buddha, Gautama. 

Vairocana is also the embodiment of wisdom and purity and the Buddhist concept of emptiness (sunyata). 

Vairocana is often depicted in the Dharmachakra mudra, where the thumbs and index fingers of both hands touch to form a circle. 

Vairocana is a cosmic Buddha in Mahayana and Vajrayana Buddhism and an important figure in Buddhism in East Asia, Tibet, Nepal, and Java: 

  • Meaning
    Vairocana is also known as the Luminous One, the Great Universal Light, and the Illuminator. 
     
  • Role
    Vairocana is the original of the five Transcendent Buddhas of Vajrayana Buddhism. He is considered the primordial Buddha and is thought to reside at the center of Buddhist cosmology. 
     
  • Iconography
    Vairocana is often depicted sitting on a high throne and a double lotus, with his hands in the gesture of teaching, known as the "Turning of the Wheel of Law" (dharmacakramudra). 
     
    Interpretation
  • Vairocana is often interpreted as the dharmakāya of the historical Gautama Buddha. In East Asian Buddhism, Vairocana is also seen as the embodiment of the Buddhist concept of śūnyatā. 
     
  • Significance
    Vairocana's portrayal inspires people to rise above the ordinary and connect with the cosmic forces that permeate the cosmos.
What are the benefits of Vairocana Buddha?

Buddha Vairocana is a radiant symbol of enlightenment, wisdom, and universal compassion. Vairocana Buddha is a well-known and iconic figure in the Mahayana school of Buddhism, particularly in the Vajrayana and kindred esoteric traditions. 

Who is Virochana in Buddhism? 

Vairochana is the original of the five Transcendent Buddhas of Vajrayana Buddhism, identified by his hands held in bodhyagri mudra, an esoteric gesture denoting the zenith of the universe. Considered the primordial Buddha, he is understood to reside at the center of Buddhist cosmology.

In Tibetan Buddhism, Vairocana Buddha is known as Namnang or Nampar nangdze. He is a central figure in Buddhism, representing the essence of Dharma realm meditation mudra and the profound wisdom of Sunyata.

Vairochana Buddha, known as Namnang in Tibetan Buddhism, holds the highest position among the Pancha Buddhas. As the Primordial Buddha, Vairochana personifies the profound wisdom of Sunyata and embodies the essence of Dharma realm meditation mudra.

What is the symbol of the Vairocana Buddha? 

His symbol is the Dharma wheel. When all five Dhyani Buddhas are depicted together in a mandala, Vairocana is placed in the center. He is often shown larger than other Buddhas around him.

What is the meaning of the Buddha Vairocana mantra? 

The translation of this mantra is Praise be to the unfailing, all-pervasive illumination of the great mudra (or seal of the Buddha), the jewel, the lotus, and the radiant. 

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 *Footnote
Vajrayana features countless skillful and powerful methods that, if practised in the proper way, can make the process of accumulation and purification incredibly swift and direct. 

It is absolutely necessary to have pure motivation and to know that Vajrayana practise is not carried out to increase one’s own ego, power, or self-interest.

Thank you for reading. May you find peace and great bliss. With your support, it helps to spread the Buddha’s precious teachings and turn the Dharma wheels in the world.

Aspiration For Bodhichitta
For those in whom the precious Bodhichitta has not arisen
May it arise and not decrease.
But increase further and further.

Dedication of Merit
By this merit, may we then obtain omniscience then.
Having defeated the enemies wrongdoings
May we liberate migratory from the ocean of existence.
With its stormy waves of birth, old age, sickness, and death.

 *Note
I do not own or infringe any copyright on the picture(s).
Picture(s) courtesy and credit to the rightful
distributors and/or studios
The picture(s) are intended for editorial use only.